Name: Sony FX6 Full-Frame Cinema Camera
Brand: SONY
SKU: ILME-FX6V
Price: 24608.85 SAR
Availability: OutOfStock
Rating: 5 (1 reviews)

Sony FX6 Full-Frame Cinema Camera

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Sony FX6 Full-Frame Cinema Camera

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Brand: SONY
Model: Cinema Camera
SKU: ILME-FX6V

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Tags: FX6 camera , Sony cinema line , 4K video camera , professional filmmaking , full-frame video

Description
Reviews

Sony PXW-FX6 Full-Frame Cinema Camera

Compact cinema capture with 4K HFR, S-Cinetone, 15+ stops DR, electronic ND, and pro I/O

Netflix Approved Firmware v4.0 Ready 16‑bit Raw Output

Overview

Developed to deliver versatile, cine‑style imaging in a truly compact form, the Sony FX6 brings a 10.2MP full‑frame Exmor R sensor together with the BIONZ XR engine for outstanding low‑light performance, up to 15+ stops of dynamic range in S‑Log3 EI, and rich S‑Cinetone color right out of the camera. Recording internally in 10‑bit 4:2:2 XAVC‑I and outputting 16‑bit Raw, the FX6 is equally at home supplementing an FX9 or VENICE on set, or flying solo on documentary, gimbal, and drone shoots.

Weighing under 2 lb (890 g), the modular FX6 body integrates an electronically variable ND filter (1/4 to 1/128), fast Phase‑Detection AF with Face/Eye Tracking, a flexible 3.5" touchscreen LCD, and dual CFexpress Type A / SDXC slots, all wrapped in a durable magnesium‑alloy chassis with improved dust and moisture sealing.

Firmware v4.0 Highlights

Anamorphic de‑squeeze monitoring in 1.3x and 2.0x (LCD & HDMI).
Cine EI Quick support for a streamlined Cinema Line workflow (FX3/FX30 style).
Unified CineAlta‑style clip naming for multi‑camera sets.
Autofocus in S&Q when frame rate is ≥ 7 fps.

Key Features

4K Full‑Frame 10.2MP Exmor R Sensor

Back‑illuminated design with fast scan minimizes rolling shutter and elevates low‑light capture.

DCI 4K60 | UHD 4K120 | 1080p240

High frame rates for cinematic slow motion in full‑frame and Super35 modes.

15+ Stops in S‑Log3 EI

Select Cine EI for maximum latitude and consistent exposure index workflow.

1.3x / 2.0x Anamorphic De‑Squeeze

View desqueezed images on the LCD or over HDMI for accurate on‑set monitoring.

Compact < 2 lb Body

6.0 × 4.6" magnesium alloy chassis with modular, grab‑and‑go design.

Fast Hybrid AF with Face/Eye Tracking

627‑point phase detection with 7 transition speeds and 5 subject sensitivity levels.

Base ISO 800/12,800 (Max 409,600)

Choose between standard and high‑sensitivity bases for nuanced low‑light scenes.

S‑Cinetone / S‑Log3 / HLG

Filmlike color science with flexible HDR and grading options.

10‑Bit 4:2:2 XAVC‑I

All‑Intra recording up to 600 Mb/s with robust gradation and detail.

16‑Bit Raw via SDI/HDMI

Feed external recorders for maximum tonal information and finishing flexibility.

Dual CFexpress Type A / SDXC

Flexible media with relay/backup modes; CFexpress A required for highest HFR.

Electronic Variable ND (1/4–1/128)

Auto or smooth manual ND adjustment without altering depth of field.

Technical Specifications

Lens Mount:

Sony E with full electronic communication (AF support)

Sensor Resolution:

Actual: 12.9MP • Effective (video): 10.2MP

Image Sensor:

Full‑Frame Exmor R (BSI) CMOS

Dynamic Range:

Advertised 15+ stops (S‑Log3 EI)

Image Stabilization:

Stabilization metadata supported (use with Sony Catalyst for post IS)

ND Filter:

Built‑in electronic variable ND, 2–7 stops (1/4 to 1/128), Auto/Manual

Shutter Type / Speed:

Electronic rolling shutter • 1/8000 to 1 sec • 5.6° to 360°

Base / ISO Range:

Base 800 & 12,800 • Native 800–12,800 • Extended 320–409,600

White Balance:

2000–15,000 K • Presets: ATW, Set A, Set B

Internal Recording — XAVC‑I:

DCI 4K (4096×2160) up to 59.94p (240–600 Mb/s VBR)
UHD 4K (3840×2160) up to 59.94/100/120p (240–600 Mb/s VBR)
FHD (1920×1080) up to 59.94/100/120/150/200/240p (89–223 Mb/s VBR)

Internal Recording — XAVC‑L:

UHD 4K up to 59.94/100/120p (100–150 Mb/s)
FHD up to 59.94/100/120/150/200/240p (35–50 Mb/s)

Gamma / Color:

S‑Cinetone, S‑Log3, S‑Gamut3, S‑Gamut3.Cine, HLG, Rec.709

Raw Output (HDMI):

16‑bit: 4264×2408 and 4240×2385 at 23.98/25/29.97/50/59.94p

Raw Output (SDI/BNC):

16‑bit: 4096×2160 and 3840×2160 at 23.98/24/25/29.97/50/59.94p

S&Q / High Frame Rates:

Full‑Frame: 1–60 fps (HD to DCI 4K), 100/120 fps (HD–UHD 4K), 150/180/200/240 fps (FHD)
Super35: 1–60/100/120 fps (FHD)

Autofocus:

Phase‑Detection AF (627 points), Face Detection, Real‑Time Eye AF; 7 transition speeds / 5 subject sensitivity levels

Audio:

Built‑in mono mic • Up to 4‑channel 24‑bit/48 kHz LPCM via XLR (handle), MI shoe, and internal mic

Video I/O:

1× 12G/6G/3G‑SDI (BNC) output • 1× HDMI 2.0 output • 12‑bit Raw via SDI

Audio / Control I/O:

2× XLR 3‑pin mic/line (+48V) on handle • 1× 3.5 mm TRS stereo output • 1× 2.5 mm sub‑mini control • 1× 3.5 mm control • MI Shoe

Other Interfaces:

USB‑C (USB 3.2/3.1 Gen 1) • Sony Multi/Micro‑USB • Timecode (BNC) • Proprietary port

Media:

Dual slots: CFexpress Type A and SDXC (UHS‑II/UHS‑I). CFexpress Type A required for UHD 4K 100/120p and FHD 150/180/200/240p.

Monitor:

Included external 3.5" touchscreen LCD • 1280×720 (2,760,000‑dot)

Viewfinder:

Optional (not included)

Wireless / App:

Wi‑Fi 5 (2.4/5 GHz), NFC • Compatible with Content Browser Mobile (iOS/Android)

IP Streaming:

Supported

Power / Battery:

Sony BP‑U series • 19.5 VDC barrel input • Power consumption approx. 18 W

Construction:

Magnesium alloy body with enhanced dust/moisture resistance • Efficient thermal design for extended recording

Mounting Points:

Body: 10× 1/4"‑20 • Handle: 7× 1/4"‑20 • Shoe: 1× Intelligent Hot Shoe • Tripod: 1× 1/4"‑20 & 1× 3/8"‑16

Dimensions (W×H×D):

6.02 × 4.57 × 4.49 in (15.29 × 11.61 × 11.4 cm) — without protrusions

Weight:

Body only: 2.0 lb (890 g) • With battery, grip, handle, VF: 5.71 lb (2.59 kg)

Environmental:

Operating: 32 to 104°F (0 to 40°C) • Storage: −4 to 140°F (−20 to 60°C)

Certification:

Netflix Approved Camera

Packaging Info:

Package weight: 7.99 lb • Box: 12.3 × 11.4 × 10.4 in

Cinema Line Compatibility & FX9 Context

Shares with FX9: DCI 4K up to 60p, S‑Cinetone/S‑Log3/HLG, 16‑bit Raw output, Sony E‑mount, electronic ND (1/4–1/128), dual‑channel XLR audio.

Differs from FX9: 4K capture (vs 6K FX9 sensor), single 12G‑SDI (vs extra 3G‑SDI on FX9), timecode I/O but no genlock.

FX6 Advantages: Wider ISO range (to 409,600), higher HFR (UHD 4K120 / FHD240), dual CFexpress Type A/SDXC (vs XQD focus on FX9).

Ideal For:

Professional filmmakers, documentarians, event and commercial crews, and solo shooters needing a compact full‑frame cinema camera with superb low‑light performance, advanced AF, pro audio, and flexible Raw/codec options for streamlined post.

Pro Notes

CFexpress Type A media is required for UHD 4K 100/120p and FHD 150/180/200/240p.
Pair with Sony Catalyst Prepare/Browse to leverage gyro metadata for stabilization and automatic horizon/gimbal rotation fixes.
The 3.5" LCD can be positioned at multiple points for ergonomic handheld, gimbal, or shoulder‑rig setups.

Sony FX6 Full-Frame Cinema Camera